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Chicago May 11,2005
The Killers rock the Riv The Killers' sold-out Riviera Theatre concert on May 11 had
it all: an electrifying light show; high-energy theatrics,
thanks to singer/keyboardist Brandon Flowers' charismatic
posturing; great sound that even put the band's only album, Hot
Fuss, to shame; a crowd not afraid to dance; and even Bono, who
was spotted on one of the side balconies, inciting the crowd to
chant his name as soon as The Killers left the stage. During a nearly 40-minute intermission, after openers Tegan
and Sara played a crowd-pleasing pop set full of heartbreak and
jealousy, the stage was transformed into a red and black set
similar to that of a Las Vegas casino-appropriate, as the
foursome call Vegas home—complete with light up band logo
hanging above (a la the Elvis sign that famously adorned the
King's backdrop). Finally, the band hit the stage playing ''Midnight Show,''
and the ultraviolet, strobe and multi-colored lights were cued.
The band delivered their modernized glam-dance rock seamlessly,
and it was obvious that this show would not only sound good, but
also be one of the most fun shows the Riviera has seen all year.
Clearly, The Killers, like any good Vegas act, know how to put
on a good performance. With his commanding stage presence, it seemed that Flowers,
clad in his trademark crisp white blazer and tie, could very
well be the classiest, best-dressed front man out there. His
fashion style, coupled with his theatrical antics and intense
emotion while singing carried the show line by line. For
example, on ''Mr. Brightside,'' Flowers dramatically placed his
hands over his eyes while singing, ''I just can’t look, it’s
killing me…'' One thing is for sure: If The Killers ever lose popularity
(which is unlikely, given their infectiously radiant
performance), Flowers could always have a career on Broadway.
The band played most of the other songs from their album,
including radio hits ''Somebody Told Me''and ''Jenny Was a
Friend of Mine'' (which kicked off the encore). Flowers offered
little stage banter, but when he did, it was clever and witty.
Before their third song, he walked along the edge of the stage,
with hands reaching up for him, and said, ''Chicago, I have a
very important question for you. If the answer is no, can we
change your mind?'' This was a perfect way to break into
''Change Your Mind.'' In addition to playing the expected crowd pleasers, the band
also delivered their song ''Indie Rock 'n' Roll,'' which is only
available on the U.K. release of Hot Fuss. The song turned into
somewhat of an arena anthem, as the crowd sang along, “It’s
indie rock 'n' roll for me-it's all I need-i's indie rock 'n'roll
for me.'' A couple new songs were played as well-surely making the
audience eager for a new killer album (not that they need to
release one anytime soon, as they’re still riding high on their
debut release). The first of the new songs was ''Where is She?'' in which
Flowers emotionally asks, ''Where is she?-Where is my baby
girl?-What have you done with my whole wide world?'' The other
new song, ''All the Pretty Faces,'' was just as emotionally
intense, but on the other end of the spectrum. With lines like,
''I don’t feel like loving you no more-I don’t feel like
touching you no more- I don't feel like fucking you no more,''
it will surely be a hit single when it's released. While The Killers' music is far from original (in fact, it's
best described as rehashed '80s rock-''the Cure meets Bowie,
meets Talking Heads, meets Depeche Mode,'' etc…), it’s safe to
say that they pull it off even better than the originators. Or
maybe it just took so long for people to love it so damn much.
The band closed with ''All These Things That I’ve Done,'' a
song which had the audience providing much of the chorus,
chanting, ''I’ve got soul, but I’m not a soldier.'' Even with a couple of new songs, it is still too bad that The
Killers only have one album. If they had more material, the show
could have lasted longer than 45 minutes. Though the set was short, it doesn't get much better than
seeing a great show that ends with Bono flashing a peace sign
from a balcony. |