Posted: 09/20/2007
jivemagazine
If you’re a child of the
80s and 90s, and you’re a music fan, then the idea of ‘the rock band
as rock gods’ and ‘the album as the holy bible’ is nothing new to
you. Growing up on artists such as U2, Nirvana, Guns N’ Roses, and
even further back, Led Zeppelin, Bruce Springsteen, Queen and The
Beatles, the idea that a band and album could change your life never
seemed implausible let alone impossible. When U2 told the press that
their next album was their best, possibly the greatest album of the
decade, you believed them; when Led Zeppelin proclaimed themselves
to be the greatest rock band in the world, you nodded your head in
agreement. Yes, this was boasting, and yes, it was hype, but more
often than not what they were saying turned out to be completely
true.
And there you have
The Killers. Months before the fall release of their sophomore
album, Sam’s Town, lead singer Brandon Flowers told the press
that it promised to be “one of the best albums in the past twenty
years.” The sound of rock critics around the world collectively
scoffing was palpable. How dare this four-year-old-band with only
one other album under their belt make such a bold statement? They
took a chance, and they were right. There is something truly
refreshing about a band that believes in their music so much that
they swear by it—sure, it inspires confidence (not to mention
curiosity) in the listener but more than that, it speaks volumes
about just how much work they have put into the songs. This comes
through clearly on Sam’s Town (an album that was meant to be
played from beginning to end) but even more so when The Killers play
their music live, as they did September 11th at the Louisville
Palace.
With a stage peppered with sunflowers, strings of white lights and
their Sam’s Town logo emblazoned behind them, The Killers
started off their two-hour set with their familiar “Enterlude” and
quickly leapt into a roaring rendition of “Sam’s Town.” The band
balanced their set list perfectly, playing every song off of their
second album as well as the hits off of their best-selling first,
Hot Fuss, including “Jenny Was A Friend of Mine,” whose bass
line never fails to give me chills, “Mr. Brightside,” “Smile Like
You Mean it,” “Somebody Told Me,” “Andy, You’re A Star” and the
crowd-pleaser “All These Things That I’ve Done.”
Flowers is a natural onstage, with a tender sincerity that comes
through in every inflection and gesture. When he sings “But my
heart, it don’t beat, it don’t beat the way it used to” in “For
Reasons Unknown,” Flowers places his hand across his heart with such
conviction that it infuses the song with dramatic, almost theatrical
emotion. You believe every word and note that comes out of his mouth
simply because he believes it, because he is unafraid of being
sentimental and wearing his heart on his sleeve, and the result both
endears and inspires. The band never lagged too far behind Flowers:
guitarist David Keuning (who looks like Robert Plant circa the early
Zeppelin days) ripped through the opening chords of “When You Were
Young”; stoic bassist Mark Stoermer brought explosive new life to
“Uncle Johnny”; and charismatic drummer Ronnie Vannucci joyfully
provided the pounding central backbone for classics such as “Bling
(Confessions Of A King),” “Bones,” “This River Is Wild” and my
favorite sing-along off of Sam’s Town, “Why Do I Keep
Counting?”
Several times during the show, watching The Killers onstage, I felt
like I was somewhere else—at times in a club in Manchester circa the
80s with New Order and Joy Division, bopping up and down to the
pulsing rhythm; other times like I was at a Springsteen show, with
tightly clenched fists pumping through the air. The Killers are that
dynamic musically, and just that good. By the end of the show I was
inspired. After their second encore of “When You Were Young,” I had
almost convinced myself to drop everything, charge up the credit
card and follow them for the remainder of the tour, Almost Famous
band-aid style. My conscience set in soon enough but not without a
pang of regret—with only five years under their belt, The Killers
are only bound to get better and better…and if this one show in
Louisville is any indication of what lies ahead, this is certainly a
band worth believing in.
http://www.thekillersfansite.com |