The Killers – Sam’s Town
 
            Call me crazy but I might be the only one who appreciates Mr. Brandon Flowers confidence in their second album.  Sam’s Town is one of the rare second albums around.  Like a Pearl Jam album titled Vs. that exploded beyond its predecessor Ten, Sam’s Town goes for the same one-two punch.  Unlike most bands that go for the interesting, yet sometimes dull second album, the fab four from Vegas want to blow the lid off every roof of every house with no apologies, and people need to start respecting that. 
            You could say that I am a big fan of not only The Killers, but of arena rock.  And if you haven’t taken a look around lately, arena rock is the endangered species of music.  In about five-ten years, when U2, Bruce Springsteen and The Rolling Stones are no longer around to take meaningful music and make it a spiritual experience at MSG, we’ll all be shaking our heads in disbelief, therefore it’s very important to help a band such as The Killers grow because we’ll need them to carry the torch.  I say all this because I was appalled to read a Rolling Stone review of 2/5 stars of Sam’s Town, especially since Rolling Stone, I always thought supported arena rock.  If you’ve read that review it’s almost like he didn’t even listen to the whole CD.
Sam’s Town is a great album, packed with epic songs that make you want to get in your car and drive as far as your car can take you.  After the monstrous, opening track Sam’s Town begins; we’re barely given a rest.  A short Enterlude sets the stage and we’re off again.  Bling tells an honorable story about Brandon’s father and For Reason’s Unknown is a good gap between the two albums.  Bones is a typical, twisted Killers love song but with a full brass section in the background, probably one of the most fun songs to come out in years, without any mention of rims, gold teeth and Patron.  Another favorite, This River is Wild; the grand finale of the album takes a classic Springsteen formula and makes it their own.  Brandon’s writing is maturing, Ronnie (Drums), and Mark (Bass, and newly elected backup vocalist) are even tighter than on Hot Fuss. 
            The important thing is that Mr. Flowers confidence, although I felt hurt him critically, (“best album in twenty years”) is a very good thing to have.  Right now it may not be the best album in the past twenty years, but let’s see what people say when these guys save arena rock.  Because instead of constantly comparing them and holding them up to other bands, like all the pre-album hype, we need to realize that The Killers are their own sound.  Whether it’s a ballad or not, every song is of epic proportions and if this is the type of music they make now, I can’t wait until their real masterpieces start to surface.  If these guys want to carry the torch, I support them whole-heartedly, you should too.  

 

-Brendon Bedell of Suffolk County Community Colleges Newspaper, The Compass

 

 

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