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Tampa,FL August 21,2005
Published August 22, 2005
St. Petersburg Times
4-star
TAMPA - Think Duran Duran with esteem issues - or maybe the Cure
with cuter cheekbones - and you'll get a good mental picture of the
Killers, the pretty and pretty popular Las Vegas-born quartet who
glammed up a packed USF Sun Dome on Sunday.
Arguably the hottest band on the planet, the Killers are responsible
for kickstarting a highly profitable New Wave revival - let's call
it Neo Wave - which blends the dandified elements of '80s-born synth
pop (performed by fancy boys in fancy eyeliner, natch) with
modern-day teen angst. Hot Fuss , the Killers' 2004 multiplatinu m
debu t disc, is a hit-packed lesson in Neo Wave, with a whole lot of
style trumping just a smidge of substance.
A big reason for the band's megaselling success is dreamboat
frontman Brandon Flowers, an MTV pin-up who sings, plays
sequin-covered keyboards and channels his inner-Wayne Newton in
small silly doses.
Of course, you couldn't hear much of Flowers during opening tune
Jenny Was a Friend of Mine . Like I said, he's a pretty pretty man
(in a blinding white suit, no less), and the pretty pretty college
crowd, 6,512 hotties strong, shrieked their approval of his
hubba-hubbaness until it was time to take another sip of beer.
(Oh, and all you hopeful ladies take note: Flowers is married.
Sorry.)
The Killers aren't the most overtly enthusiastic band. Aloofness is
as big a part of New Wave as smoldering looks and sexual ambiguity.
And Flowers, who likes to sing in a vaguely accented baritone, still
has moments when he looks like he's not sure what pose to strike.
But there's no denying the catchiness of the band's small but strong
songbook.
Backed by a Sin City-style sign flashing their name in bright
lights, the group kept the stage patter to a minimum and instead
spent their hourlong gig efficiently working through almost the
entirety of Hot Fuss : the synth-geeky On Top , the ironically
chilly Smile Like You Mean It , the full fan sing-along Somebody
Told Me ("Somebody told me that you had a boyfriend that looked like
a girlfriend that I had in February of last year"). And don't you
know that each song came equipped with a wickedly infectious chorus.
The Killers rock harder in a live setting than they do on their
deliberately slick album, but the extra oomph (courtesy of drummer
Ronnie Vannucci) didn't mean these guys were any less tight or
effective onstage. Such epic anthems as Mr. Brightside and the
closing All These Things That I've Done - each swollen with glorious
crescendoes and crashing choruses - proved that these guys know
their U2 and Coldplay as well as their Modern English.
Oh, and speaking of Mr. Brightside : A member of frisky opening act
Louis XIV scampered onstage during the Killers' hit song wearing
nothing but, ahem, whipped cream over his naughty bits. The Killers
should have seen the flash-and-run coming, of course. Louis XIV is
made up of four randy guys from San Diego who pretend that they are
four randy guys from London's 1970s glam-rock scene. Their
swaggering below-the-belt schtick is an R-rated affair - heck, it's
a wonder they didn't perform their set in Redi-Whip undies - but let
it be known that their whiz-bang musicianship shines through the
innuendo. Watch out for these guys - literally.
By SEAN DALY
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